Twenty years ago this week, I was
standing in the wings at the sweltering “old” Ephrata Playhouse, waiting to step
onstage as part of the ensemble in the musical “The Robber Bridegroom.” Our darling,
now-departed Brian Adams, who played Little Harp, was making funny faces at me
to help calm my nerves.
Our rehearsals in an Elizabethtown church
basement had been filled with laughter along with the hard work; our cast had
bonded into a family. We went out together nearly every night during rehearsals
and the run of the show, and had a great time enjoying each other’s company.
While I’d been an audience member at the
playhouse for years before those nights in July 1994, “The Robber Bridegroom”
marked my first practical involvement with the Ephrata Performing Arts Center.
Here we are, 20 years later. I’m still
friends with several people I met while doing that 1994 show. I’ve helped out
around the theater, from ushering to working the concession stand, from posting
on social media to passing out brochures to helping out during school-day
performances.
In those 20 years, I’ve sat in the
audience and marveled at the theater being created by this community troupe
that rivals professional theaters in the quality of the shows and the talent of
the casts and creative teams.
I’ve watched young kids grow up on EPAC’s stage and become wonderful adult performers. I’ve seen EPAC veterans come and go, and watched newbies fill the stage with talent and magic. I’ve laughed my head off; I’ve bawled my eyes out; I’ve scratched my head, and let characters get under my skin.
I’ve watched young kids grow up on EPAC’s stage and become wonderful adult performers. I’ve seen EPAC veterans come and go, and watched newbies fill the stage with talent and magic. I’ve laughed my head off; I’ve bawled my eyes out; I’ve scratched my head, and let characters get under my skin.
And, in the last 10 years, I’ve
watched creative teams make fabulous use of the beautifully renovated theater
space that’s now the (air-conditioned!) Sharadin Bigler Theatre.
Through it all, I’ve remembered that
sense of FAMILY I first experienced during the run of “The Robber Bridegroom.” EPAC is, indeed a family – a family of
performers, directors, technical wizards, creative teams, crew members,
volunteers, sponsors, patrons, supporters and audience members.
And that family comes together dozens
of times every year to create evenings of THEATER THAT MATTERS – plays and
musicals that are thought-provoking, joyous, heart-rending, toe-tapping and
glorious – sometimes all at the same time.
Whether you move set pieces, direct
the pit orchestra, act, direct, throw the opening-night party, show people to
their chairs or buy tickets and sit in those seats, you, too, are a part of the
EPAC FAMILY.
With the delightful, high-energy
musical, “Legally Blonde,” opening next Thursday, we’re about halfway through
EPAC’s 2014 season. We’ve experienced great theater so far, and have plenty
more to see through the end of the year.
Welcome, family, and thanks for your
continued support. It’s been a great 20 years!
-- Merv Wright, proud EPAC volunteer
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