Kristie Ohlinger is Elvira in EPAC's "Blithe Spirit."
An urbane British writer
and his wife. Friends with whom they can spend a witty evening around the
séance table. A kooky-but-committed psychic medium. A wacky maid who could
crack the four-minute mile in heels. A glamorous, determined ghost of a
long-dead wife, conjured from The Great Beyond against her will.
Put these interesting characters
in the hands of British playwright Noel Coward, and a great Ephrata Performing
Arts Center cast in the hands of director Rich Repkoe, and you’ve got “Blithe
Spirit.”
The cast is about halfway
through its run of this breezy, paranormal farce, being performed on the stage of
the Sharadin Bigler Theatre in Ephrata. The show will transport you to that
wonderful, funny, entertaining place in which we all engage our minds and
spirits when we’re watching really satisfying summer theater.
I’ve seen the show, and
can assure you that you’ll have a great time listening to the witty banter
among these players. And you’ll LOVE the special effects once the ghostly gang
has its poltergeist-ly way with the props (by Fran Hill and Monica Daniels).
I cackled aloud listening to Lynne Demers-Hunt and Tim Spiese as Ruth and Charles Condomine toss around a whole lot of bon mots,
sometimes along with Dr. and Mrs. Bradman, played by Rob Adams and Tricia Corcoran.
Elizabeth Pattey will crack you up as the delightful Madame Arcati, a
bicycle-riding medium whose dramatic trances engender unintended consequences.
Emily Martin’s Edith the
Maid will delightfully exhaust you with her desperate-to-please-her-employer
antics – her fleet feet and her balancing act with trays of drinks.
And wait until Kristie
Ohlinger glides onto the stage as the divine Elvira, the ghost of Charles’
first wife! This blithe spirit has got some unfinished business with the corporeal
world, and mischief on her mind regarding Charles and Ruth.
And let’s give it up for
the design team! Victor Capecce’s drawing-room
set, Josh Starr’s lighting, Andy Babin’s sound and Janell Berte’s stunning costumes
work together well to recreate the time period (Coward wrote the play in 1941), and evoke all the ghostly goings-on. Technical Director Beth Lewis and Stage
Manager Rachel Snavely have helped Rich Repkoe put together a wonderful night of theater for the EPAC audience.
You have six more
chances to see it … so call 733-7966 for tickets (or visit the Web site). The show runs through June 23.
-- Mary
Ellen (“Merv”) Wright
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